Vídeo IA / Short Film

Woman chased by zombie king in ruins

Criador@ou_zhen599 ↗

Referência criativa

Criador: @ou_zhen599 ↗

01 / Crie sua versão

Crie sua versão

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02 / Fonte e créditos

Fonte e créditos

Criador@ou_zhen599

Publicação original ↗

Notas do criadorGrátis

Modelo: Hailuo 03 ↗
Categoria: Short Film ↗

Notas do criador

Made with MiniMax-H3 🏃“I can’t escape. I can’t escape.” MiniMax-H3 prompt👇 subject_definitions: <Subject 1> is ALin from <Picture 1>, preserving her adult Caucasian identity, long straight platinum-blonde hair with blunt bangs, white sleeveless fitted top, blue jeans, brown belt, and brown knee-high boots. Only dust, minor abrasion, and natural creasing may be added. <Subject 2> is Ston from <Picture 2>, preserving his male zombie-king identity, pale cracked skin, skull-like face, long black hair, torn black sleeveless shirt, damaged black trousers, bare feet, and pendant. He stays unarmed, with no magic, no energy, and no supernatural effects. <Subject 3> is the ruined post-apocalyptic avenue from <Picture 3>, preserving damaged buildings, wrecked cars, overturned bus, broken concrete, fractured asphalt, dust, smoke, and overcast daylight. summary: [reference generation] Create a 15-second realistic post-apocalyptic stealth suspense scene. For the first 13.5 seconds, ALin stays entirely in Ston’s left-rear blind zone and can see only his back, side profile, or obstacle-broken silhouette. Ston never sees ALin until the final 1.5 seconds, when he turns for their first face-to-face standoff. retention_analysis: <Subject 1> (appears in [Shot 2], [Shot 3], [Shot 4], [Shot 5], [Shot 6]): fully_preserved - ALin’s identity, hair, clothing, and realistic appearance remain unchanged aside from dust, minor wear, and movement. <Subject 2> (appears throughout): fully_preserved - Ston’s cracked pale skin, skeletal face, long black hair, torn clothes, bare feet, pendant, and unarmed state remain fixed. <Subject 3> (appears throughout): fully_preserved - the same ruined avenue, overturned bus, wrecked vehicles, broken concrete, fractured asphalt, dust, smoke, and overcast light remain fixed. detailed_description: The target video is a realistic cinematic post-apocalyptic suspense film with no fight, no subtitles, no watermark, and no supernatural effects. Use desaturated steel-gray daylight, dirty yellow-gray dust, coal-black shadows, and detailed skin, hair, concrete, metal, and smoke. Before 00:13.500, do not show frontal confrontation, mutual eye contact, shot-reverse-shot, close two-person framing, mirror reveal, or Ston seeing any part of ALin. [Shot 1] A low camera slowly pushes from behind and slightly left of <Subject 2>, Ston, standing alone in the street center. Show only his back and left facial outline as he scans the far intersection and screen-right openings. He never checks his left-rear blind zone. His shoulders lean forward, fingers open and close, one foot shifts loose gravel, and he releases one short rasping growl. ALin does not appear. [Shot 2] At 00:03.000, the camera cuts to the left rear behind the overturned bus, close on <Subject 1>, ALin, crouched against the metal. Ston stands far ahead with his back to her. Through a bus gap she sees only his back and side shoulder. When his attention shifts screen-right, she moves low through burned cars and reaches a broken concrete column in the left middle ground, staying hidden. He never turns. [Shot 3] At 00:05.500, a long-lens shot keeps ALin concealed behind the left foreground column while Ston stays in middle distance behind dust, vehicles, and wreckage. He bends to inspect disturbed dust, keeping his face down or toward screen-right. ALin sees only his side profile, then slides deeper into the bus shadow. A loose metal sheet scrapes. Ston snaps his head toward the right-side opening and growls harder. He still does not see her. [Shot 4] At 00:08.000, a low tracking shot follows Ston’s back as he searches slowly along the center-right of the avenue. His bare feet crush asphalt and raise dust. He pauses at the right-side bus and debris. In the same frame, ALin remains masked by left-side wreckage. When his view is blocked for a brief moment, she silently transfers to the shadow behind a left-of-center collapsed concrete mass, landing on one knee and stopping h…

Publicação original ↗